Showing posts with label Film. Show all posts
Showing posts with label Film. Show all posts

Wednesday, January 25, 2012

Stunt-Insure.com is now providing production insurance for film producers having stunts - now available in Utah!

(PRWEB) October 02, 2011

http://www.Stunt-Insure.com is a domain name owned and managed by Brilliant Insurance Services, a California based commercial insurance agency. The programs offered focus on providing insurance for film stunts. ?I love what I do?? says David Karubian, CEO of Brilliant Insurance Services, ??each policy I write is unique and interesting. Calls kept coming in from Utah, so we obtained a license there to make the program available".


A ?film stunt? has a broad range of categories including, but not limited to, fights, falls, pyrotechnics, blanks, animals, driving, and water related scenes. Getting insurance for movie stunts can be a challenge for small production companies and ?indie producers? that don?t have huge budgets. ?That?s where we come in?? says David, ??we have the ability to provide coverage for the producers that want to do what the ?big boys? do??


There are several sections to the production insurance policy. The core requirement is General Liability, which provides coverage in the event someone who is not part of the production (a stranger) wanders on to the set and gets hurt. Of course this is an over simplified definition but is what the film permit offices require as a minimum. When getting production insurance with a stunt, there is a surcharge added to this section of the policy. Imagine walking down the street and seeing a ?knife fight? and jump in to break it up, getting hurt as a result, only to find out the fight was choreographed and being filmed.


Covering the cast and crew for their injuries falls under the section of Worker?s Compensation. This section of coverage is the hardest to obtain and is rarely bundled with the production insurance. Payroll companies and programs offered through the ?state of domicile? are really the only ways to get Worker?s Compensation coverage when stunts are involved. Exceptions to this do exist. The common misconception is that General Liability covers everyone involved, and that just simply isn?t the case.


The rented equipment also needs coverage. ??the only claim I have had, related to a gear related loss during stunt filming, involved fake blood ruining a camera during a zombie movie?most producers keep tight control of their sets?? says David.


There is also coverage available for the rented vehicles used in production. This includes lighting and grip trucks, as well as picture cars and the vehicles used by the production staff. ?Most of the claims I have seen over the years involve the vehicles?? notes David ??whether stunts are involved or not?.


Several other sections of coverage are available at a premium, but rarely purchased. With the advent of digital filming, many hazardous and risky elements are now put in the film during post-production. Digital also makes it easy for producers to make redundant back-ups of the film, reducing the need for faulty film coverage.

According to David, a recent customer named Dauren Kamshibaeff, was able to insure a feature with several insane stunts, including an actor jumping off of the Queen Mary into the ocean. ??this is what makes coming to work fun?? jokes David, ??Dauren?s job is of course more exciting than mine, but it does make the paperwork seem less tedious when I can visualize the final product? he adds.


Stunt-Insure.com provides coverage now in eleven states, and will most probably add on a few more states in the next year to come. Getting short term production insurance with stunts doesn?t have to be hard or expensive, you just have to know where to find it.


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Find More I Movie Maker Press Releases

Land of the Pharaohs (1955), Designed by Oscar? Winner Alexander Trauner, Screening and Panel Concludes the 2011 ADG Film Society and American Cinematheque Series

Los Angeles, CA (PRWEB) October 12, 2011

The Art Directors Guild (ADG) Film Society and American Cinematheque will screen CinemaScope epic Land of the Pharaohs (1955), Hollywood?s revisionist tale of ancient Egypt and the construction of the pyramids, with a panel discussion to follow, on Sunday, October 23 at 5:30 p.m. at the Egyptian Theatre (6712 Hollywood Boulevard, Hollywood).


Production-designed by Oscar? winner Alexander Trauner (Children Of Paradise, Irma La Douce, The Apartment), directed by Howard Hawks (Gentlemen Prefer Blondes), written by William Faulkner (The Sound And The Fury), starring Joan Collins (Dynasty, Star Trek) and Jack Hawkins (Where The Rainbow Ends), Land of the Pharaohs offers an original take on the building of the pyramids. ADG and American Cinematheque describe the film as ?a classic Hollywood mixture of palace passion and big screen spectacle. The film is a ravishing visual collaboration of art direction, set decoration, costume design, and cinematography, shot in Egypt with a cast of over 10,000 extras.?


Land of the Pharaohs is the last in this year?s ADG Film Society/ American Cinematheque series highlighting the work of renowned Production Designers and their creative collaborators.


A panel discussion, moderated by Production Designers John Muto and Tom Walsh, will follow the screening, spotlighting the unique challenge of designing Land of the Pharaohs; in particular, according to Muto, ?the deft re-imagining of pyramid architecture that provides the film with its amazing, never-to-be-forgotten climax.? The panel will feature Art Director Jim Hewitt, author of the just published Egypt Visual Sourcebook: For Artists, Architects, and Designers. Other panelists will follow.


?It?s high drama on the upper Nile!? according to John Muto. ?A sexy captive princess seduces the Pharaoh, poisons the queen, and plots worse mischief; meanwhile, slaves build the grandest tomb of all time ? but with a very special surprise. Designer Alexander Trauner is ?a legend in the history of film design,? Muto adds. ?Likewise, the film features directing legend Howard Hawks, writing legend William Faulkner, and film goddess Joan Collins. As far as we know, this is the one and only time these four giants of the cinema ever collaborated!?


Martin Scorsese has said: "When I first saw it as a kid, Land of the Pharaohs became my favorite film."


For ticket information: http://www.americancinemathequecalendar.com/content/land-of-the-pharaohs-0


Representing the ADG are Guild President Tom Walsh and Muto. Working with them are the American Cinematheque?s Gwen Deglise and Grant Moninger. General admission: $ 11. American Cinematheque members: $ 7. Students/Seniors with valid ID: $ 9. All screenings start at 5:30 p.m. 24-hour information is available at 323-466-FILM (3456).

For images: http://goo.gl/ujXmo For trailer: http://www.youtube.com/watch?v=V2cT4vEw98o

NOTE TO MEDIA: Major media are invited to cover.


About the Art Directors Guild:

The Art Directors Guild (IATSE Local 800) represents nearly 2,000 members who work throughout the United States, Canada and the rest of the world in film, television and theater as Production Designers, Art Directors, and Assistant Art Directors; Scenic, Title and Graphic Artists; Illustrators and Matte Artists; and Set Designers and Model Makers. Established in 1937, ADG?s ongoing activities include a Film Society; an annual Awards Banquet, a creative/technology community (5D: The Future of Immersive Design) and Membership Directory; a bimonthly professional magazine (Perspective); and extensive technology-training programs, creative workshops and craft and art exhibitions. The Guild?s Online Directory/Website Resource is at http://www.adg.org.

Follow ADG on Twitter: ADG800

For Facebook: https://www.facebook.com/pages/Art-Directors-Guild/108033579217202


About American Cinematheque:

Established in 1981, the American Cinematheque is a 501 C 3 non-profit viewer-supported film exhibition and cultural organization dedicated to the celebration of the Moving Picture in all of its forms. At the Egyptian Theatre, the Cinematheque presents daily film and video programming which ranges from the classics of American and international cinema to new independent films and digital work. Exhibition of rare works, special and rare prints, etc., combined with fascinating post-screening discussions with the filmmakers who created the work, are a Cinematheque tradition that keep audiences coming back for once-in-a-lifetime cinema experiences. The American Cinematheque renovated and reopened (on Dec. 4, 1998) the historic 1922 Hollywood Egyptian Theatre. This includes a state-of-the-art 616-seat theatre housed within Sid Grauman?s first grand movie palace on Hollywood Boulevard. The exotic courtyard is fully restored to its 1922 grandeur. The Egyptian was the home of the very first Hollywood movie premiere in 1922. In January 2005, the American Cinematheque expanded its programming to the 1940 Aero Theatre on Montana Avenue in Santa Monica. For more information about American Cinematheque, visit the website at http://www.americancinematheque.com.


Follow the American Cinematheque on Twitter (sidgrauman) and Facebook (Aero Theatre).


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